BRIAN VINER: As if to make up for arguably the most boring title of any film in the history of cinema, The Accountant 2 begins with a blaze of action, incongruously enough in a bingo hall.
Alex Garland's Warfare, unfolding in real time, tells the story of what happened after a team of US Navy SEALs on a reconnaissance mission occupied a house in the Iraqi city of Ramadi.
BRIAN VINER: With the help of facial prosthetics to distinguish between them, the veteran actor plays a pair of real-life New York Mob bosses, Frank Costello and Vito Genovese
On the last day of Cheltenham, here's an equine expression to describe, or rather not describe, director Steven Soderbergh: the prolific fellow is anything but a one-trick pony.
BRIAN VINER: Widely regarded as a comeback vehicle for Pamela Anderson, The Last Showgirl, as vehicles go, is less a gleaming Rolls-Royce than a truck.
BRIAN VINER: I'm Still Here tells the true story of the affluent, middle-class Paiva family whose comfortable life was ripped apart following that sound in all totalitarian countries: the knock on th…
Bridget Jones: Mad About The Boy (pictured) is the fourth picture in the series and, both heartwarming and hilarious, the best since the 2001 original, Bridget Jones's Diary.
The fourth Bridget Jones film is the best since the original, and aptly enough the most grown-up of the quartet, exploring grief
and bereavement but never at expense of wit.